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REVIEW: Litmus "Aurora"

Monday, September 21, 2009




Litmus 
Aurora 

SEMI-OBNOXIOUS 

No matter how unique you sound, listeners can lose interest. Litmus is best comparable to a third-rate upbeat Pink Floyd - lots of cool effects, but not much else, except for random traces of Rush and, oddly enough, early Joy Division. Automatic props for actually playing instruments, but with all of the spacey bleeps, a 10 minute song is just overkill. – KG

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REVIEW: Evergreen Terrace "Almost Home"

Evergreen Terrace
Almost Home

LISTENABLE 

Evergreen Terrace is reminiscent to a less whiney Finch with better lyrics and some pretty funny references. For those who aren’t into metal, but occasionally still like the noise, these guys are a decent start. “We’re Always Losing Blood” incorporates some hardcore screaming layered over what could pass for Blink 182’s Mark Hoppus. Don’t believe me? Listen. You’ll hear it. –Kate Gamble

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REVIEW: Amon Amarth "The Crusher Reissue"


Amon Amarth
The Crusher Reissue


LISTENABLE

Amon Amarth’s The Crusher Reissue is Swedish death metal at its finest with one little flaw. Or maybe it’s not so little. While the album is undoubtedly solid, whether recorded studio or live, the drums are noticeably off in multiple songs. Other than that, “Releasing the Surtur’s Fire” and the cover of “The Eyes of Horror” have become personal favorites. – Kate Gamble

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REVIEW: Cryptacize "Mythomania"


Cryptacize
Mythomania

LISTENABLE

Cryptacize, a California indie-rock band, doesn’t rely on things like timing, standards, and supposed influence to create their eclectic sound. So, when experiencing their new album Mythomania, it’s important to put your ideas of what your indie is supposed to sound like to the side.

Part Deerhoof, part Why?, songs like “One Block Wonders” feature singer Nedelle Torrisi's high tenor voice box combined with a trebled rock guitar straight out of the late 60s. At the same time, “Tail and Mane”, the album’s first song, might as well be considered a circus waltz fit for a clown. - Randy LoBasso

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REVIEW: Dan Zimmerman "Cosmic Patriot"


Dan Zimmerman
Cosmic Patriot

ICONIC 

Philadelphia’s Dan Zimmerman displays true passion with Cosmic Patriot. Bringing out Dan Zimmerman’s deep, rich vocals, the title track is about a person wanting to find inner peace in a confusing and violent world. Overall, Cosmic Patriot features pop with elements of folk.  Amazing! -Leslie Snyder 

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THE LOST INTERVIEW: Henry Rollins on X
The following is an e-mail interview I conducted with Henry Rollins for my profile on X for the June issue of Origivation. It never made its way into the article, but it deserves to see the blog light of day. Enjoy!


X has had a tremendous (positive) impact on you and your career. What was/is it about X that you found yourself drawn to?
Henry Rollins: I always admired X because of how many memorable songs they wrote and how well they are able to render them live. They are easily one of the best live bands I have ever seen. If you are in a band and aspire to be good live, you are very aware when a band is able to deliver the goods live and as many times as I have seen X, I have never seen a bad X show. Also, the timelessness of their music is remarkable. Those records sound great now like they sounded when they were first released.
 

I remember reading that one of the reasons you were drawn to X was because of their anti-violence stance. Is that correct? If not, could you clarify?
HR: I never thought of the band as being pointedly anti-violence. I never saw any violence at their shows, just people having a good time. Obviously, they are not pro-violence.
 

In what aspects does the band influence you and how?
HR: I admire the songwriting and the performance value. As a unit and as four individuals, they are all very good at what they do. They are also very unique. No one sounds like Billy Zoom, etc.
 

Why is X so important to you?
HR: They are one of those bands I have been listening to and seeing live over half my life. When you have listened to a band that long, you can attach certain points in your life to songs and albums of a band and that’s when the music attains a real resonance in your life. In a way, their songs become yours, that’s one of the great things about music.
 

What is your favorite memory of/moment with X?
HR:
I remember seeing them once at the Avalon in Los Angeles 26 years ago. I was talking to John Doe before the show and he was sick as a dog. I felt bad for him, he should have been in bed but the show must go on. He went out there and played and sang so well that night e ven though he must have been feeling awful. That was inspiring.

Three years ago, you revived Rollins Band and toured with X? How did that tour go?

HR: It was cool to get to go to an X show whenever you wanted to for six weeks.

Have you worked with X on other projects before that tour?

HR: No.
 

Were you present at X's Hollywood Rock Walk induction?
HR: Yes I was. I inducted them. Hello! 
-Annamarya Scaccia

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GO! GO! GO! Philly Zine Fest - 9/20/09

Saturday, September 19, 2009



"Bringing DIY, radical, whimsical, and artistic small press publications to the public."

Don't forget about tomorrow's free! Philly Zine Fest 2009 taking place at West Philly's The Rotunda from 12 pm - 6 pm. 

This year's festival will showcase talented local artists and zine creators, as well as zine distributors, with topics ranging from bike repair and poetry to crafts and music. Workshops on page design, large-scale zine publishing, and DIY sewing will also take place. Food will be provided by West Philly Food Not Bombs as a benefit. 


Philly Zine Fest
Sun., 9/20, 12 pm - 6pm, FREE
at The Rotunda
4014 Walnut Street



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REVIEW: Combat Crisis - "Face the Crowd"

Friday, September 18, 2009



Combat Crisis
Face the Crowd
2009



RATING: Listenable

Hardcore street punk apparently didn’t curl up and die. It was just dormant until these guys decided to wake it up. Face the Crowd is chock full of buzzing chainsaw guitars and guttural, screaming vocals accompanied with some youth crew style choruses. It’s full of nice little leads and licks to get your fist pumping to the anthems. Although not anything new, these guys bring some fresh blood to the scene. –Dick Daugherty


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VIDEO PREVIEW: Sally Shapiro "Miracle"

Wednesday, September 16, 2009

Check out the video for "Miracle," the first single from Swedish italo-disco artist Sally Shapiro's sophmore release, My Guilty Pleasure (Paper Bag Records), below:

Sally Shapiro "Miracle" from the album "My Guilty Pleasure" from Paper Bag Records on Vimeo.

About My Guilty Pleasure:
Sally Shapiro's second album, My Guilty Pleasure, out now on CD & vinyl through Paper Bag Records, follows on the success of her debut, Disco Romance. Containing nine tracks, including "Miracle" and "Love in July," My Guilty Pleasure finds Shapiro concocting a sharp but melancholic brew of beautiful 80s disco, ambiance, and indie pop.

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MP3 Preview: The Dead Trees "Rayna"

Check out The Dead Trees' brand new demo mp3 here: The Dead Trees' "Rayna"
Message from The Dead Trees: 
"After a nice leisurely summer spent in New York City, Portland Oregon, Martha’s Vineyard, Los Angeles, Brazil, and everywhere in between, The Dead Trees are back together scheming and plotting. This September-October we will be co-headlining a tour with our great pals The Rosewood Thieves. Only to wrap up in time to go into the studio and record the follow up to our 2008 smash hit LP “King of Rosa.” As the specifics are still being worked out I can’t tell you too much about the record. But if all goes as planned it’s sure going to be radical, and probably go to #1. I have included a bunch of pictures our recent trip to Brazil on the “Little Joy Family Van Tour” featuring Adam Green, The Dead Trees, and Little Joy. Yeah, it was great, and now we’re pals with Caetano.  Tell your friends, tell your mom.  Much Love, Michael Ian Cummings."
US Tour Dates with Rosewood Thieves  
Sept 23 - Club Cafe - Pittsburgh, PA
Sept 24 - Oldfield's On High - Columbus, OH
Sept 25 - Cedar's Lounge - Youngstown, OH
Sept 26 - Casa Cantina - Athens, OH
Sept 27 - Radio Radio - Indianapolis, IN
Sept 28 - Firebird - St Louis, MO
Sept 29 - Vaudeville Mews - Des Moines, IA
Sept 30 - Lincoln Calling Festival - Lincoln, NE
Oct 1 - Hi Dive - Denver, CO
Oct 2 - The Listening Room - Park City, UT
Oct 3 - Terrapin Station - Boise, ID
Oct 4 - The BLVD - Spokane, WA
Oct 6 - El Corazon - Seattle, WA
Oct 7 - Doug Fir Lounge - Portland, OR
Oct 8 - Sam Bond's Garage - Eugene, OR
Oct 9 - Bottom of the Hill - San Francisco, CA
Oct 10 - Bootleg Theater - Los Angeles, CA
Oct 11 - Detroit Bar - Costa Mesa, CA
Oct 12- Modified Arts - Phoenix, AZ
Oct 16 - Stubbs, Jr. - Austin, TX
Oct 17 - The Prophet Bar - Dallas, TX
Oct 20 - Tasty World - Athens, GA
Oct 21 - Local 506 - Chapel Hill, NC
Oct 22 - The Camel - Richmond, VA

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GO, GO, GO! First Annual Jefferson Square Music Festival and Punk Rock Flea Market

Tuesday, September 15, 2009

Nothing else to do Saturday night? Then check this event out:
First Annual Jefferson Square Music Festival and Punk Rock Flea Market 
Saturday, Sept. 19 (rain date: Sat., Sept. 26), 9 am
Jefferson Square (4th & Washington, South Philadelphia)

Starting from 9 am, vendors will sell rock 'n' roll memorabilia, followed by 11 hours of eclectic and eccentric music from Philly's boldest of the bold acts. Bring lawn chairs, snuggly blankets, loads of booze (if you're 21 and over, of course), delicious food and whatever else you need to keep your satisfied, and stay for the day. Coz, really, you just can't miss this


Festival Line Up
Main Stage (40 minute sets)
11:20 - 12:00 - Wyldlyfe
1:00 - 1:40 - Tim McGlone (1851 Records...formerly SJU Records)
2:00 - 2:40 - Victor Victor Band
3:00 - 3:40 - Lee Morgan
4:00 - 4:40 - The Absolute Zeros (1851 Record)
5:00 - 5:40 - Pepi Ginsberg (Park the Van Records)
6:00 - 6:40 - The'One Sun'Lion Ra
7:00 - 7:40 - Wes Mattheu and the Way Down
8:00 - 8:40 - Boy Wonder
9:00 - 9:40 - Dick Valentine of Electric Six (Metropolis Records)  
  
Side Stage (20 minute Sets)
10:30 - 11:15 - Parachuting Apostles
12:00 - 12:20 - Andrea Nardello
12:30 - 1:00 - City Line
1:40 - 2:00 - Attia Taylor
2:40 - 3:00 - Dani Mari
3:40 - 4:00 - Conversations With Enemies
4:40 - 5:00 - Amy Regan
5:40 - 6:00 - Chang Chang
6:40 - 7:00 - The Purple Generals
7:40 - 8:00 - Menya
8:40 - 9:00 - Allison Polans
Sponsors include The HYPE, 1851 Records, Volta Radio, Philly2Philly, Girls Rock Philly, Friends of Jefferson Square and more

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Win tickets to Warped Tour 15th Anniversary movie!
Hey Origivation readers and Warped Tour lovers! Do we have an extra special contest for you!

One lucky person can win four (yes, 4!) tickets to attend Warped Tour's 15th Anniversary celebration and movie screening this Thursday, Sept. 17, at the Riverview Plaza in Philadelphia (1400 Columbus Blvd). It's a ONE-NIGHT EVENT taking place in select movie theaters nationwide, so you just have to go!

The Vans Warped Tour 15th Anniversary Celebrative movie will feature badass performances, interviews, and down-right debauchery from tour favorites 30H!3, The Aggrolites, Bad Religion, Blink 182, NOFX, Ozomatli, Pennywise, Rise Against, and Underoath. Katy Perry, Ice T, and the Decaydance All Stars will also make appearances in the film.

So if you are dying to be the lucky winner of those four (yes 4!) tickets, then e-mail annamarya@origivation.com with your name, contact info, and your favorite Warped Tour memory to enter.

CONTEST DEADLINE EXTENDED!!!!!!!  
Winner will be chosen on TODAY (Wednesday, Sept. 16), at 10 pm EST.

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Coming Soon: Owl City

Owl City @ The Note (9/19)

If you need an early show to whet your appetite for The Sounds’ bound-to-be-brilliant explosion of sass and sexuality at the TLA, head over to West Chester for Owl City’s 6 pm gig at The Note. God-loving neo Synthpop project of Adam Young, Owl City blends danceable beats with sentiments of the downtrodden in a way that is both purely pop and sincerely introspective. Although the last time Young was in the area he was upstaged by a wonderfully androgynous display of angst from indie rockers Lydia, he managed a set that could incite a dance party at a funeral, proving that even Jesus freaks can have a funky side. Izzy Cihak

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Coming Soon: Fanfarlo

Fanfarlo @ Kung Fu Necktie (9/20)

Fanfarlo has a sound that would appeal to your mother and musically snobbish and excessively introverted little sister alike. The London five-piece combines the epics of post Brit Pop anthems with the charming and sensitive elitism of the Twee aesthetic. Although the band is often compared to The Arcade Fire, their debut album, Reservoir (released earlier this year), is really more along the lines of Coldplay covering Belle & Sebastian. Although this melding has Fanfarlo destined to explode at any moment, the group are only playing six US shows on their current jaunt, so come out to Kung Fu Necktie and be the coolest person you know a year from now. Izzy Cihak

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UUVVWWZ - S/T

Saturday, September 12, 2009


UUVVWWZ
UUVVWWZ
RATING: Bad Ass
There’s always been something cool (and obviously pretentious) about a band whose name you can’t pronounce... of which UUVVWWZ are both.  The sound of the Nebraska quartet’s debut album is a pastiche of Noise, Riot Grrrl, No Wave, and other movements that you weren’t hip enough to indulge in the first time around. -Izzy Cihak

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Tribella - "My Guest List"
Tribella
My Guest List
RATING: Listenable
It’s been years since I’ve heard an “all girl” band that had an original sound and wrote about more than just stereotypical heartache. The problem becomes, how do you compare them without sounding too stereotypical yourself? Picture Liz Phair, Sheryl Crow, Indigo Girls etc. All in all, this trio is little indie, a little pop, and a lot of fun. –Kate Gamble

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The Extraordinaires' "Electric and Benevolent"

The Extraordinaires
Electric and Benevolent
RATING: BAD ASS
While their imagery-heavy lyrics and doses of horns inspire comparisons to Neutral Milk Hotel, the Extraordinaires’ sound here recalls the bombast of Modest Mouse. Add an epic unifying concept (discovery, inventions, Columbus) plus a dedication to vivid, tongue-in-cheek storytelling and you’ve got energetic, weird rock ‘n’ roll Philly should be proud to call its own.  -Alexandra Jones

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Coming Soon: Dirty Tactics/Mighty High/Angry Samoans at Southpaw

Wednesday, September 9, 2009

Philly's own Dirty Tactics and Brooklyn-based punk outfit Mighty High will share the stage with LA hardcore punk veterans, Angry Samoans, this Saturday at Brooklyn's Southpaw. Dirty Tactics and Angry Saomoans play this Sunday at Philly's 941 Theater.


Dirty Tactics: "...Known for catchy melodies and sing along choruses that maintain pop sensibility but offer the intensity and vigor only seen in the punk rock underground."


Might High: "...Classic-rock inspired punk/metal band from Brooklyn, NY dedicated to getting loaded and playing loud."


Angry Samoans: "...hardcore punk at its finest..."


9/12/2009
8:00 PM
Mighty High/Dirty Tactics/Angry Samoans
SOUTHPAW / Brooklyn, NY

9/13/2009
8:00 PM
Dirty Tactics/Angry Samoans
941 THEATER / Philadelphia, PA

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Music Video: Pugwash's "At the Sea"

Tuesday, September 8, 2009


Check out the video for Irish outfit Pugwash's "At the Sea." Their latest album, Giddy, will be their first stateside release, dropping Sept. 21 on XTC's Andy Partridge's label, Ape House, with distribution through ADA. Giddy will feature tracks from their three extant Irish releases and one from a work in progress. Pugwash is the vehicle for the songwriting and singing of Thomas Walsh.

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Free mp3: Strung Out's "Black Crosses"

Origivation readers can check out the FREE(!!!) mp3 single "Black Crosses" from legendary Los Angeles-based punk outfit Strung Out from their new record, Agents of the Underground, available Sept. 29 on Fat Wreck Chords. The new album, which is their 20th Anniversary release(!!!), was produced by long-time Strung Out fan Cameron Webb (Social Distortion, Motorhead, IGNITE). The band debut the first mp3 "Black Crosses" on Spin.com on Friday, Aug. 28.

Check out the single here: Strung Out's "Black Crosses" mp3


TOUR DATES
Strung Out
w/ Pour Habit, The Flatliners

Sep 25 The Shore Long Beach, CA
Oct 01 Rock Bottom San Antonio, TX
Oct 02 Red Seven Austin, TX
Oct 03 Granada Theatre Dallas, TX
Oct 04 Meridian Houston, TX
Oct 05 Howlin' Wolf New Orleans, LA
Oct 07 The Engine Room Tallahassee, FL
Oct 08 Culture Room Ft. Lauderdale, FL
Oct 09 The State Theatre St. Petersburg, FL
Oct 10 The Social Orlando, FL
Oct 11 Freebird Café Jacksonville, FL
Oct 12 The Masquerade - Downstairs Atlanta, GA
Oct 14 Jester's Fayetteville, NC
Oct 15 Volume 11 Tavern Raleigh, NC
Oct 16 Ohana's Night Club Virginia Beach, VA
Oct 17 Eleanor Rigby's Jermyn, PA
Oct 18 The Basement Columbus, OH
Oct 19 Frankies Toledo, OH
Oct 20 Turner Hall Milwaukee, WI
Oct 22 Pop's Sauget, IL
Oct 23 The Marquee Tulsa, OK
Oct 24 Launchpad Albuquerque, NM
Oct 25 Black Sheep Colorado Springs, CO
Oct 27 Aggie Theatre Fort Collins, CO
Oct 28 Downtown Grill Casper, WY
Oct 30 V2 Layton, UT
Oct 31 The Clubhouse Tempe, AZ
Nov 01 Karma Victorville, CA

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More than Lips: An Interview with Michael Ray Bower

Monday, September 7, 2009


Tommy Avallone’s gritty, balls-to-the-wall epic comedy Community College had its premier back in April at Philadelphia’s Trocadero Theatre with much success. An audience looking for laughs filled around three hundred of the five hundred available seats, but actor Michael Ray Bower, who is best known for his role as Donkeylips in "Salute Your Shorts" and had a hypnotic cameo in the film, was unable to make it. Fortunately, July 18 saw the second screening of the flick at Dante’s Bar in Barrington, New Jersey (a location where many of Community College’s dramatic drinking bout scenes were filmed) and Bower had the privilege of attending. With the second screening also a success, Bower spent some extra time enjoying Philly, New Jersey, and New York, and doing some additional film work before he had to head back to his home base, Los Angeles. It was clear that the friendship between Avallone and Bower had come far since the early days of Community College.

How did Bower get brought into the movie? Avallone was always interested in Michael Ray Bower’s work. Bower’s most recent success was playing the guy clamping spark plugs to his nipples in the absurd Super Bowl 2008 Amp commercial (which had over 20 million viewers on Youtube the day after the game), but his diverse acting history includes roles in the movies Dude Where’s My Car? and Evolution, and in the television series "Dark Angel," "CSI," "Singled Out," "The Wonder Years," "Friends," and most famously in the Nickelodeon show "Salute Your Shorts."

After meeting through a podcast, Avallone and Bower hit it off. “I thought it was interesting that he made a joking offer to fly me out from LA to New York and to show me the sites of New Jersey if I would take a part in his movie. I thought he was joking,” Bower explains. Bower agreed to play a hypnotist in Community College, but the role quickly underwent a transformation. “Originally his role was just a hypnotist. Eventually we made it ‘Michael Ray Bower Playing the Hypnotist.' We threw in the 'Salute Your Shorts' references. We sculpted around him,” says Avallone.

The role Bower took on ended up becoming candid autobiography meets whacky caricature. Avallone worked with Bower to create a comfortable character. “He’s one of the first established actors I’ve worked with. He came in, asked me what the character’s motivation was. I come from the school that you should have what you’re doing be funny. Say it and if people laugh you did it right,” Avallone says.

But for Bower, creating the role was not as straight-forward. Having always been faced with the issue of the Donkeylips identity, the goal was also to address the hypnotist’s image while maintaining Avallone’s world of humor. “Avallone and I talked and I told him I didn’t like being called Donkeylips all the time. I thought it would be funny to hypnotize people so you could tell them your real name, so they could forget you were Donkeylips,” Bower says. “It was kind of cool because I started to look like I was a psychopath. Like, ‘I am a God and my name is Michael Ray Bower.'” The result is subtle and quirky, and shows Bower’s impressive control in front of the camera.

Bower is okay with being known by many for his role as Donkeylips, but he’s ready to move on. “I’d like to have tough-guy roles in the future. Not necessarily a role as a serial killer, but I do have a lot of pain I want to get out. Humor’s natural, and it comes to me easy,” proclaims Bower. “It’s hard showing people your vulnerabilities, and it’s really hard to get into the dark areas if you were born into the comedic actor.”

And humor, which comes easiest to him, has already begun to serve as a jumping off point. Both Bower and Avallone have roles in No Footing, a local feature written and directed by Michael Licisyn of Mixed Nut Productions. The movie, which comes out this fall, centers around Madison, an artist (Jensen Bucher) in the Philadelphia area who realizes the life of creativity and glamour is not as easy as it once seemed.

Avallone spent most of his time helping produce the film, and he only fills the minor role (with a total of one line) of a projectionist. Bower plays a prolific, though dark and estranged, video artist who is ironically successful, much to the disdain of Madison. “I make these gothic movies that show the pain and suffering in the world, but I’m not the sharpest tool in the shed. It offends Madison that dorks like me get all the luck while she is the intelligent one and has to struggle,” he says. While the world waits for the finalizations of No Footing, which will premiere at the Broadway Theatre in Pitman later this year, Michael Ray Bower is back to LA to take on work as it comes. His parting words: “Love me, love me, love me.” -Greg Bem

http://nofooting.com/

http://www.communitycollegesucks.com/

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The Brunettes @ Johnny Brenda's

Saturday, September 5, 2009


The Brunettes
@ Johnny Brenda’s
9/03/09
www.lilchiefrecords.com/brunettes/index.html

Tragedy strikes under the mirror ball at Johnny Brenda’s… but then again, how fucking twee is that? After nearly two years New Zealand indie pop duo, The Brunettes, returned to the City of Brotherly Love with their best live band yet to play to at least five times the crowd of their last visit. Unfortunately, the performance was under less than loveable conditions. As they should’ve been taken the stage, Jonathan Bree (the masculine portion of the duo) found himself stomping through the venue in search of a lost amp that was never to be found. In a best-case-scenario, the group may have powered on with their borrowed amp and dazzled the crowd with a set of their chicly infectious tunes and earned back the money necessary for a new amp through the sale of nearly half a dozen splendid releases only available in America by way of their merch table. That, however, is not quite what happened.

Bree remained rattled throughout the band’s much abbreviated set, groaning about the luck of the above-average number of camera phones documenting the below-average set. Unfortunately, band’s most impressive work, from 2007’s Structure & Cosmetics, such as space pop anthem “Brunettes Against Bubblegum Youth” and “Stereo (Mono Mono),” which borders on the brilliance of Reed and Cale, were absent that evening. Would-be classics like “Holding Hands, Feeding Ducks” and “Polyester Meets Acetate” came off just as delightfully as ever, although the rest of the set was phoned-in like a frantic 911 call. Izzy Cihak

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Jonas Sees in Color - S/T

Tuesday, September 1, 2009


Jonas Sees in Color
Jonas Sees in Color
Glassnote Entertainment

If you steal one album from your little sister this year, it should be Jonas Sees in Color’s debut. The Greensboro six-piece are not your everyday gauged, blonde-streaked, star-and-heart-tattooed power poppers (although they are most of those things), but a group of Southern rocker kids who actually have a grasp on writing pop music. Of course, the album is laden with a handful of post Emo howls and the lyrics do tend to live up to the clichés of effeminate teenage apathy (“if you can’t take the weather, you can take my sweater with the loose threads”) and their music really is closer to “cute” than “kick ass,” but on their self-titled LP they rarely manage to go more than a song or two without hitting on a brilliantly delightful pop tune in the vain of Butch Walker. “Outside These Walls” is an arena-ready sing-along, “For the Fences” and “Devil in the City” are endearingly sassy tales from poetically-inclined youth, and “Avalanche” and “West Coast” are tailor-made for long drives through country roads or rounding third with your sweetheart on a field of warm summer grass. Izzy Cihak

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Birds of Avalon - Uncanny Valley

Birds of Avalon
Uncanny Valley
Volcom Entertainment

On Uncanny Valley Birds of Avalon begin to distance themselves from any sounds that could be found on classic rock radio and cement themselves as the kind of band suited to soundtrack desert trips and after hours parties of the NYC underground. Although their riffage is still present, it’s put to use in a far more progressive and avant-garde manner, aligning them more closely with Sonic Youth and The Warlocks than any stars of 70’s rock. On their second LP, the band disturbs their mustached-rock musicality with psychedelic bends and veers to the outskirts of pop accessibility, ensuring that none of its tunes are destined to be state fair sing-alongs. Izzy Cihak

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Acey Slade - She Brings Down the Moon

Acey Slade
She Brings Down the Moon

2009’s best EP plays like an epic gospel of black eyeliner, studded belts, and skintight leopard-print. Former Philthy poster boi for glittered decadence [as frontman of Trashlight Vision], Acey Slade is back with a glamorously funky sound that owes as much to the androgynous allure of Oscar Wilde and Suede as to the anthemic bombast of AC/DC and Alice Cooper. His latest EP boasts five mixes of “She Brings Down the Moon,” a morbidly soulful track reminiscent of what Nikki Sixx produces after returning from a Sisters of Mercy bender. While none disappoint, the alternate versions vary little, aside from their ass-shaking-to-fist-pumping ratio. Also included are Acey’s take on Black Sugar Transmission’s “I Dare You,” a sleazy club remix of “Reptile House,” and a spot-on cover of The Cult’s “Sanctuary” (the reasoning behind including this likely didn’t go any further than giving the release a song listeners will know the words to upon first listen). With his latest release, Mr. Slade has ventured into the grimy underworld of 21st century Glam. Pull on your black lamé, douse yourself with cheap perfume, and join him. Izzy Cihak

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