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Artist Picks: The Della Zucca Dancers

Thursday, December 31, 2009

If you’ve been keeping up with OrigiVation and the blog, you will have noticed that we’ve spent the past month profiling artists’ picks for the Top 3 Songs of 2009. The magazine featured picks from artists like Lenka, Lennon, and Or, The Whale, while the blog featured additional picks from bands like Birds of Avalon and Three Inches of Blood. To cap off this collection of artist picks, I’ve asked Philthy’s own Della Zucca Dancers to choose their top three favorite songs to dance to. The Della Zucca dancers, comprised of Cole Della Zucca (former frontwoman for The Percocettes) and Shannon Sexton have spent the second half of 2009 bringing their theatrics to the most badass rock’n’roll shows the city has seen. Here are their favorite songs “to dance, flip, and shake to:”

White Zombie – “Thunderkiss ‘65”
Motley Crue – “Shout at the Devil”
Guns N’ Roses – “My Michelle”
Artist Picks: Three Inches of Blood
(2009 had Canadian metalheads Three Inches of Blood releasing Here Waits Thy Doom, their first album to feature no original members.)

Cam Pipes
Absu - "Magick Square Cipher"
Napalm Death - "On the Brink of Extinction"
Mantic Ritual - "Panic”

Shane Clark
Saviours - “Acid Hand”
Assjack - “Wasting Away”
Dead Weather- “Hang You From The Heavens”

Justin Hagberg
The Dead Weather - "Hang You From The Heavens"
Satyricon - "Raven By A Tombstone"
Destroyer 666 – “Human All Too Human”
Artist Picks: The Sort
(Richmond alt. rockers The Sort have spent 2009 revamping their sound and their lineup and finally getting back out on a few East Coast stages.)

Clark Fraley
Doves - "Jetstream"
Burnt By The Sun - "Inner Station"

Ki:Theory - "My Thoughts"

Laura Thomas
Imogen Heap - "First Train Home"
Owl City - "The Tip of the Iceberg"
Morrissey - "Throwing My Arms Around Paris"


Erik Kutzler
Teenage Bottlerocket - "Bigger Than Kiss"
The Loved Ones - "Distracted"
Megadeth - "Dialectic Chaos"


Frank Guertler
We Were Promised Jetpacks - "Moving Clocks Run Slow"
Metric - "Gold Guns Girls”
Phoenix - "1901"
Artist Picks: Heavy Young Heathens
(Sibling duo Heavy Young Heathens have spent 2009 promoting their self-titled debut album and drawing comparisons to Primal Scream and Black Rebel Motorcycle Club.)

Aron Mardo
Julian Casablancas- "4 Chords of the Apocalypse"
Mr. Casablancas has outdone himself. Truly one of this year’s coolest songs off of a very cool album.

Muse- "Uprising"
Their commitment to melody and craft is unparalleled. Instantly pops out of on the radio when you hear it."

Eels- "Fresh Blood"
E is one of my biggest inspirations for what he doesn't do. And this track sums him up very nicely in my opinion. Brilliant..."


Robert Mardo
Kasabian - "Vlad the Impaler"
One of Britain’s biggest and best groups. This song is such a motherf***er. I wish it was one of ours.

La Roux - "Bulletproof"
I admit it. I sing this song constantly....but with the windows rolled up of course. So F***in' catchy, I love the melody.

The Big Pink - "Dominos"
My favorite new group of 2009. “Dominos” is so perfect and the hook does exactly what it is supposed to do...
Artist Picks: Velvet Acid Christ

Wednesday, December 30, 2009

Velvet Acid Christ
(As always, 2009 had VAC continuing to produce brilliantly crass dance beats with the release of The Art of Breaking Apart.)

A Place to Bury Strangers – “Keep Slipping Away”
It reminds me of all the old music I used to love in the 80s: New order and Bauhaus and The Cure and u2 when they were young. Catchy, frantic, fast, with energy.

Rome – “The Accidents of Gesture”
I love the lyrics. Heavy, philosophical, poetic, pretty, epic. I love how this song starts out quiet and pretty. It slowly builds and gets really intense and about half way through it starts to rock in a swaying dramatic way. I love his voice.

Baditude – “Osteophobia”
Sounds like 80s video game music. Love how old school Ministry and Revco it sounds. That song is about the fear of skeletons. Not only that Bad ass Halloween has a sample that says "Creature stole my Twinkie". My favorite party industrial band. So many hilarious fun songs. My all time favorite song by Baditude is “Punch a Christian in the Face.” Shit makes me laugh so hard.
Artist Picks: Jeff Ballard (Something To Burn)
Jeff Ballard (Something To Burn)
(This past September Hollywood rockers Something to Burn released their Transitions on Scott Weiland’s Soft Drive Records and next year they’ll be hitting the road with Weiland’s STP.)

Audrye Sessions - "Relentless"
I just think this band delivered a full album of good songs which is rare these days. It's a bit sappy but I love it.

Fun - "Walking The Dog"
I think this song is brilliant with the mixture of sounds compacted into 3 and a half minutes.

Kiss - "Modern Day Delilah"
I'm going old school with the classic rockers delivering thundering rock when they are 60 years old. I dare you to do that at 60.
Artist Picks: Eric 13 (Sex Slaves)
Eric 13 (Sex Slaves)
(2009 saw the Sex Slaves once again spreading their anthemically grimey rock’n’roll to every corner of the country... and Europe in support of their recently released, Wasted Angel)

Alice in Chains – “Check My Brain”
Just can't stop playing this one. Killer, classic AIC riffage. Jerry Cantrell rules.

Ace Frehley – “Fox on the Run”
Another timeless cover from the best member of KISS. Long Live Ace!!

Acey Slade – “She Brings Down the Moon”
Awesome, Cult-esque jam from one of Philly's finest!
Artist Picks: Steve Haley (Haley)
Steve Haley (Haley)
(Former Trashlight Vision axeman Steve Haley has spent 2009 playing guitar-driven sleaze rock in his band, Haley, sharing stages with the like New York Dolls, The Dead Milkmen, and The Birthday Massacre.)

Duff McKagen’s Loaded – “Wasted Heart”
This song is a testament to the fact that the true heart n’ soul of G’N’R left with Slash and company. Great “raising Johnny Thunders” from the dead kinda vibe: honest and pure. This album is good but, man, this tune really stuck out for me.

Mongrel – “Bored to Death”
I was lucky enough to get a pre release of this song and love it. Great driving guitar and passionate vocals make this a definite fave of 2009. Watch out for Mongrel in the coming year.

Volbeat – “Guitar Gangsters & Cadillac Blood”
Drive fast and listen to this song… that’s all. Just do it!
Artist Picks: Cheetie Kumar (Birds of Avalon)
Cheetie Kumar (Birds of Avalon)
(In 2009 Raleigh’s Birds of Avalon released their sophomore LP, Uncanny Valley, turning down the riffs and kicking up the psychedelics.)

Flaming Lips - "See the Leaves"
It's hard to choose my favorite song from Embroynic, but as the leaves around Raleigh are dying, this song makes me happy from the inside out! This song is a pretty good representation of the "new" Flaming Lips sound: hypnotic and heavy, spontaneous, goblinesque warbly keys, simple melodies and gigantic, great sounding drums.

Mulatu Astatke w/ The Heliocentrics - "Addis Black Widow"
A very successful collaboration between the legend of Ethiopiques fame and the London musical collective at the (analog) Quatermass studios in England. Written and recorded in about a week, this song boasts an amazing sound as slap-back-laden funky drum pattern grooves relentlessly under a flute only to lead into a classic Astatke harmony-saxophone part that's hard to evacuate from my brain!

Oneida - "What's Up Jackal”
A manic uptempo drum-beat, a minimalist synth figure repeating throughout, and a menacing canine proclamation which sounds like a Japanese incarnation of Alan Vega.
Artist Picks: Avian X

Avian X
(2009 saw the release of electro-pop diva Avian X’s Promise of the Sky, along with a handful of exclusive NYC performances.)

Acey Slade – “She Brings Down the Moon”
I discovered him on MySpace about a year ago. I instantly fell in love with his band after hearing this song. It's very melodic and has great musical arrangement. Reminds me of The Verve.

BM Linx – “Kids on Fire”
A lot of BM Linx's songs have hooks that are easy to sing a long to. It's classic rock mixed with some cool electronics. Lyrics with layers and meaning. I am just a fan of songs that are made of those three parts :)

C.C. Catch - “Heartbreak Hotel”
It's an 80's Italo disco band. It's a great pop anthem. You can't help but feel good and smile when listening to Italo Disco :) It's a really good song!
Artists' Picks: Top Songs of '09

Wednesday, December 23, 2009

If you’ve picked up the latest issue of OrigiVation, you probably saw my “Top 9 of ‘09” article, in which Apache Beat, Elizabeth & The Catapult, Jonas Sees in Color, Lenka, Lennon, Mean Creek, Or, The Whale, and Sorry and the Sinatras all shelled out their picks for the top three songs of 2009. However, there’s a lot more to that story. As promised, here are the picks of many more artists. Keep checking the blog for more artists picks.



Kevin Barker
(Former Devendra Banhart and Joanna Newsom collaborator, Kevin Barker, released his solo debut digitally in 2009, with a 2010 date penned for the hard copy.)

Chris Weisman - "Working On My Skateboarding"
I'm convinced this is one of the greatest songs ever written in the history of planet Earth. Chris is the brother of former Feathers member Kurt Weisman and shares Kurt's uncannily pure and childlike vocal qualities, as well as his gift for offbeat melodies. Chris writes and sings with a sense of humor that's so offbeat it almost sounds accidental, and the end result is a folk-art quality that brings to mind Bobb Trimble and Rodd Keith. Chris is insanely prolific. I HIGHLY recommend checking out this tune, as well as such classics as "B.O.A.C.," "Lemon Poppyseed" and "Billy Don't Pawn your Horn." He's really one of the most unique and talented songwriters out there.

Michael Hurley & IDA - "Wildgeeses"
Michael Hurley is a true American treasure. His songs are so full of warmth, sadness, humor, werewolves, lustful thoughts, loneliness and good times that you feel like your whole life has been encapsulated in a single album. And the fact that this record is like number twenty-two, that's basically a small town's worth of wisdom sitting on your record shelf.

Antony & The Johnsons - "Epilepsy Is Dancing"
It feels a little self-serving choosing something I played on, but this song is so gloriously lush and disarmingly beautiful that if I didn't choose it I'd just be lying. When I was young I owned 3 cassette tapes - Prince "Purple Rain", which I found on the sidewalk outside a Cuban restaurant in Washington DC, and the two albums by Yaz, which I listened to so much I could still sing you every word. This song of Antony's takes me back to the unabashed earnestness and visceral heartbreak of the best Yaz songs. I couldn't figure out if "Moyet" was a boy or a girl, but I knew I loved him/her, and that he/she spoke for me, down to the deepest depths of my preteen soul.


Joshua Blatchley
(Mountain Home’s Josua Blatchley recently released solo acoustic guitar album for the VDSQ series.)

Alter - “Dusk”
One of the best current black metal soloists.

Marissa Nadler - “Rosary”
This whole record is lush and warm, but the extra vocals really set this track apart for me. I can't say enough nice things about her and I consider myself very lucky to have worked and toured with her.

Earth - new song w/o a name
Check it out on youtube. The best music they've made since their return. I really dig the three piece line up (simple is good).


Body Language
(This summer Brooklyn’s Body Language released their debut EP, Speaks, while the rest of the year they found themselves sharing stages with Passion Pit, School of Seven Bells, and We Have Band.)

Grizzly Bear – “Two Weeks”
This, in my opinion, is one of the best pop songs written in a while with one of the best full out vocal deliveries I have heard ever. It’s undeniably simple and good.

Dirty Projectors – “Stillness on the Move”
This song sustains itself on the thread of a single guitar line and gymnastic vocal lines. Awesome.

Washed Out – “Feel it All Around”
Killer sample ripping and simply a good groove to listen to, the vibe is what makes this track.


Mike Stack (Burning Human)
(2009 saw the release of New York Death Metallers Burning Human’s debut album, fourteen years in the making)

Katatonia – “Forsaker”
Heavy, yet dynamic and melancholic all at the same time. Katatonia continue to outdo themselves with each release. One of my all time favorite bands in Metal.

Mastodon – “Oblivion”
It's Mastodon, what do I really need to say? Heavy, melodic, progressive and epic...... Mastodon!

Alice In Chains – “A Looking In View”
Great heavy riff, great melody and just plain great to see Alice In Chains back in top form.


Scott Middleton (Cancer Bats)
(Canadian hardcore punks have spent 2009 working on their upcoming release, III: Bears, Mayors, Scraps & Bones.)

Tegan and Sara - "Hell"
Since Hearing this song I haven't been able to get it out of my head. Think equal parts Joy Division, New Order and the Buzzcocks. Not only is it one of the catchiest and most punk rock songs Tegan and Sara have ever written, but it's also the first time they've ever made me come close to getting in an accident from rocking out so hard in my car!

Git Some - "Trixy Loves Misty"
A stand out track from this amazing band who formed from the ashes of the seminal Planes Mistaken For Stars. Dirty, Punk and gnarly as fuck. This is full bore headbanging rock n' roll from the mountains of Colorado that is far more substantial and noteworthy than any current punk or hardcore trend.

Ouch My Face - "Don't Take a Knife to a Graveyard"
The First minute of this song alone is heavier and more crushing than the entire American metal scene of the last 5 years. This 3 Piece from Melbourne Australia brings out the freshest and most honest take of the current Melvins/Jesus Lizard/Shellac revival and goes well beyond that with a female vocal that's far more refreshing than any tired male scream or growl. Genre crossover at it's best and entirely addictive; it's a song like this that keeps rock music exciting.



The Coathangers
(Atlanta PostR.Grrrls The Coathangers have spent 2009 on the road in support of their sophomore effort, Scramble, arguably the year’s most punk album.)

Lady Gaga - "Poker Face"
It's for god and the gays!

Baby Dinasaur vs. Extinction - "Coke Dick"
It's a drag and a bummer!

Love Boat - "For Your Love"
So good!


Dead Leaf Echo
(Dead Leaf Echo have spent 2009 haunting NYC clubs with the city’s most morbidly romantic sounds while recording their latest, Truth.)

Atlas Sound - "Quick Canal"
So who needs Tim Gane anyway......

Dinosaur Jr. - "I want you to know"
Felt like 92' all over again.

The Mary Onettes - "Dare"
My favorite Swedish import since Ikea.


Doctor Rosen Rosen
(Doctor Rosen Rosen has spent 2009 putting his own alt. pop “spin” on mega pop stars such as Weezer, Lily Allen, Kanye West, and Phoenix.)

The-Dream - "Fancy"
My favorite album of 2009 was definitely The-Dream's Love Vs. Money which has my hands down favorite song of the year- "Fancy." If Prince (circa Under The Cherry Moon) and R. Kelly had a baby it would sound like this weird "arty" R&B song. I have probably listened to the last 54 seconds of this song 500 times.


La Roux – “In For The Kill”(Skream's Let's Get Ravey Remix)
Best remix of the year. Skream's take on La Roux's "In For The Kill" is dark and extremely spare yet unbelievably powerful. I love how much energy lies in the empty spaces of this song.

Daniel Merriweather ft. Adele - "Water and a Flame"
Daniel Merriweather and Adele make a gorgeous break-up song. Their voices seem to be made for each other and the arrangement is perfect. Good to know there are still vocalists that can actually sing making records in 2009.


Yoni Gordon (Yoni Gordon & the Goods)
(Yoni Gordon spent 2009 spreading his quirky and chaotic tunes across this side of the Mississippi.)

Diamond Mines - "Whatever's Clever"
Awesome band from Boston. Straight up great rock song writing. You could listen to this and swear you'd heard their record once in some second hand store and you meant to write down the name of the band but forgot to. Sounds new and old, familiar and fresh, classic and modern, pretty and pretty and pretty great. If this band is playing a show near you, go see them.

Deer Tick - "Houston, TX"
I'd heard this song maybe two years ago at a show we played together. The song just sort of stayed in my head all that time, until I finally got the new record. If you can hear a song once, in a loud bar, maybe after knocking back a few drinks, and still remember is two years later, that is pretty much the mark of great songwriting. I just bought an old beat up van to tour in, and this record sounds the best on that old car stereo!

The Reigning Sound - "Debris"
This band has all the things that I like in rock and roll: awesome guitar tone, hammond b3 organ and really concise but soulful songwriting. Not that I like to play the "sounds like" game, but they really do remind me of like, Paul Westerberg switching places with Bob Dylan during those '66 Royal Albert hall shows. My new favorite band.


Miracles Of Modern Science
(Miracles of Modern Science continue to promote their debut EP, released in 2008, and prove that strings really can rock.)

Le Loup - "Beach Town"
I honestly didn't think much of this when I first heard it, but man, did it grow on me. The band has fantastic energy.

St. Vincent - "Laughing With a Mouth of Blood"
I can't really pick a favorite on _Actor_. Annie Clark is an amazing melodist, and she gets some of the coolest fuzzy drum and horn sounds I've heard.

Animal Collective - "Bluish"
I'm a sucker for pretty melodies.


Netherfriends
(Justin Fernando and a rotating cast of characters have spent 2009 touring as Netherfriends and making hipster asses shake in the country’s most offbeat venues)

Apache Beat – “Sinkane”
We are label mates and he might be the greatest musician of our generation. He is currently the drummer for Yeasayer and was previously drumming for Caribou, Of Montreal, and Born Ruffians.

David Bazan - “Hard To Be”
An amazing opener to his first solo LP. It's all about the first chorus.

Grizzly Bear - “Two Weeks”
This might be on everyone's list, but when I first heard them play this on Letterman I had it stuck in my head immediately!


Josh Ottum
(After making a big splash along the West Coast and throughout Europe, Americana singer/songwriter’s debut LP, Like the Season, finally saw its stateside release this year.)

Jason Lytle – “Flying Thru Canyons”
This song usually brings at least three tears to my eyes. It sounds like credits rolling over a montage of a one's life. The fake choir is so funny and so sad, so epic and so cheap. It makes me think about a little chapel on a little mountain in the middle of a huge desert. It also makes me think about how much I love my family and about the very thin line between laughing and crying.

Jim O'Rourke – “The Visitor”
This song makes me more interested in wooden chairs, mother nature, father time and family...and less interested in my computer, iPhone apps and advertisements. This song is basically a multi-vitamin that points to the unshakable foundations of history and tradition. It also makes me think of the smell of corduroy and dirt.

Yuuki Matthews – “Sea Sponge Cake”
This song is like a church hovering slowly down the street as part of the first annual parade of holy buildings. The church hasn't seen many visitors in a while and it is coming back to remind people of who they really are. This church beams rays of dark purple light on the masses, helping them realize they don't have to be slaves to negative self talk. They can just love themselves and embrace the present moment.



Bryan Scary + The Shredding Tears
(2009 saw Brooklynites Bryan Scary + The Shredding Tears sign with Old Flame Records and release their Mad Valentines EP.)

Bruno Coulais – “End Credits” (Coraline Soundtrack)
The best film score in years.

The Fiery Furnaces – “Charmaine Champagne”
It sounds like two little kids fighting.

The Flaming Lips – “The Sparrow Looks up at the Machine”
A Big Bad Groovy Düüly Faustian Splatter.


Kenneth "Ripper" Olsen (SYRACH)
(2009 saw Napalm Records’ release of doom metal outfit Syrach’s A Dark Burial.)

Megadeth - "44 Minutes"
I have been into this band since the debut album, Killing is my Business...and Business is Good!, in 1985 and when they now return with a great album, Endgame, this year, I just had to have them on my list. The song "44 Minutes" reminds me of the great songs on the So Far...So Good... album. "44 Minutes" has it all: a great opening, amazing chorus, and even a decent guitar solo. A song that I can hearover and over again and never get tired of it.

My Dying Bride - "My Body, A Funeral"
What can I say? My Dying Bride return with, in my ears, a masterpiece of an album. Or to put it the My Dying Bride way, a meisterwerk. Starting up SYRACH in 1993, I was really into the British Doom scene at that time, so many great bands came with that wave in the early 90's and My Dying Bride was one band I kept closest to my heart...with albums like Turn Loose The Swans/The Angel and The Dark River they are one of my absolute favorite band in this genre. I could actually pick every song from The Lies I Sire, but I had to choose one, and for me, "My Body, A Funeral" has the atmosphere and feeling that makes My Dying Bride such a great band. The calm start, the heavy guitars taking over, and of course the violin. We had the chance to work with Aaron Stainthorpe as an artist for the cover artwork on our album Days Of Wrath and it was a pleasure.

Jace Everett - "Burn For You"
"Six feet down I'll call your name...and this whole world goes up in flames, baby I burn for you." This line from "Burn For You" is just perfect and sets the mood in the song. Every song with the words "flames" & "baby" has to be brilliant ;) This is my non-metal alibi. A great voice and to me a mix between Isaak & Orbison, what a great combination. It's something dark in Everett’s music that I like. And of course everybody knows him for his "Bad Things" from True Blood. This is also a great song, but I don't like the series. I just love "Burn For You" and Everett has a really dark and "heavyfilled" voice. It's a pleasure listen to him sing sometimes.

Tatiana De Maria (TAT)
(TAT spent 2009 promoting their Soho Lights, a collection of infectiously catchy punk tunes), including a summer spent on the Warped Tour.)

Regina Spektor – “Laughing With”
This song should go down in history. She single handedly turns the world on its head destroying cynics and embracing faith in a religion-bashing age. Incredible musically and lyrically just pure genius.

The Script – “The Man Who Can't Be Moved”
Fantastic lyrics and overwhelmingly beautiful melody. We've all been there and they sum up our unanimous sentiment of giving it all and stubbornly holding on against all odds.

Jay-Z, Rihanna and Kanye West – “Run This Town”
The instrumental is phenomenal. Great song overall, but the music is just killer. Enough to make one of my top three of the year.


Hattie Williams (Telegraphs)
(In 2009 Telegraphs have continued to spread their moody indie pop throughout the UK, including a tour with Thrice)

Brand New – “At The Bottom”
Brand New are one of my favourite bands - this song was the first that I heard from the new album, Daisy. It's sublimely grungy, dark, and thoroughly miserable - just how I like 'em. The lyrics are totally killer - Jesse Lacy has outdone himself with this one. I got to see them play in London in the summer and it was a really exceptional show - the band just keep growing and developing with every release, which is so rare.

Sights & Sounds – “Sorrows”
This song does funny things to my insides. The whole album does. This track opens the record, and the first time I heard it, it wormed its way into my heart and has been sitting there ever since. It is an emotionally stirring, cathartic and dynamic wonder that everyone should hear. Right now - definitely my favourite album of 2009.

Bat For Lashes – “Daniel”
Natasha Khan has the most gorgeous voice! There will always be a certain songs that you hear and you are taken back to a time and place, I think this song will always remind me of this year, and the summer. It's a really haunting and melancholy track about The Karate Kid, apparently. It has been banned from our van though - I over played it!
In Kensington, There is No East or West....R.I.P Jack Rose

Friday, December 18, 2009

      Jack Rose was 38 when he passed last Saturday. His records were a familiar sight around town. It seemed that every respectable music outlet in the city would find a way to make sure his records were displayed prominently. For good reason: he was Philadelphia talent of international calibre. Ragtime, raga, and drone flowed seamlessly from a guitar so thick with strange flavors and smells, it rivaled the Delaware. The lineage of his style stretched across continents, but ended up right in our own     backyards. He had contemporaries like Sir Richard Bishop, Ben Chasny, and fellow local Willie Lane: all guitar players. But on Rose's recent effort with the Black Twig Pickers he was (quite literally) a foot-stomping bandleader. A musician of incredible capabilities, he will be missed.

http://www.myspace.com/jackrosekensington

-Caleb Paul

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WEB EXCLUSIVE: The continuous ritual of Cuddle Magic

Tuesday, December 8, 2009




Cuddle Magic (left), the "Part-time Residents" of Origivation's Philly Issue (December), had more to say about life and their music than our one page allowed. Here's the rest...

Origivation: Talk about your formation and how Cuddle Magic came to be 3+ years ago. 
Christopher McDonald: Ben’s always been a prolific songwriter and he and I and this other singer Sophie who lives in Australia now wanted to create songs in this chamber type of setting and it really started out with just us three and then we had this other viola player Joanna play and this dude Mike play and it was really this small group type of thing and that was just formed to try and make a recording at the studio at Emerson, which we had access to at the time. 

O: Was Cuddle Magic a backbone for getting away from college? Did it make a difference? 
C: I feel that it has made a difference because it’s allowed at least me to have one musical project that you’re really focusing on and you’re trying to make it successful for yourself and all these other people—it does give you a certain amount of motivation. It keeps you going. You have to get a job and I would really hate to just be doing that. Even if you’re just gigging, to have something that I’m really trying to actively work on and make successful is pretty good. 

O: In terms of the material and the songs themselves, does it help that you were academically trained, so that you can write the music and build off that through distances? 
Dave Flaherty: I think it helps that we all met at the Conservatory, but we really just learned overall a certain style of arrangement and group interaction to the point where if I hear a little snippet of a song I can imagine how we can play it. We’ve established a thing where we know our parts already. 

O: Describe your role(s) in the band using one word. 
Bridget Kearney: If I had to pick one word to describe my role in this band, I would pick FANATICAL. When the band first started, I was not in the band.  I was just the band's roommate and number one super fan.  I would go to the band's shows and my heart would surge with passion for their music, and jealousy because I wasn't taking part in it.  I weaseled my way into the band when the band's cellist moved back to England (teardrop) by saying I would learn cello, borrowing a cello from the school's instrument library and learning all the band's songs on it.  Gradually I came to be the band's bass player (a position I am much more comfortable in, since I am a bass player) and to contribute more fully to the music the band makes.  But I still feel like primarily I am the band's number one super fan AND I get to be in the band.  After shows, when people come up to me and say they really enjoyed the music, I don't have to put on this false modesty for the band's music, because I am a fan first!  I just say, "Fuck yeah!  We're a fucking good band!"
Mike Calabrese: My word would be LAFFY-TAFFY. Cuddle Magic has me feeling like "taffy" in several respects. To begin with, my mind, body and soul are constantly being stretched in new, exciting musical directions. The challenges with which i am presented, and subsequently the new accomplishments I make in the name of "cuddle magic" never fail to expand my mind as a musician and performer, and help me realize musical realms I never imagined I see. All in all, this group has helped make me a more malleable musician. In terms of feeling "laffy," well, that's just par for the course when you're a cuddle magician. Everyone in the band is, of course, serious about what he/she does, and each member can buckle down with the best of 'em.  But, when in comes time to be goofy, anybody in Cuddle Magic is ready. There is levity to the inter-personal side of the band that is very refreshing and comes in especially handy when working through some difficult passages in rehearsal; being too serious squashes the mind's capacity, and one thing one's mind needs a lot of when rehearsing with Cuddle Magic is mental capacity. It helps us have fun, get things done, and ensures a good hang outside of the music as well as in. Being an incredible goof myself, I feel my tendency to clown around has a place in Cuddle Magic, and that just another factor that adds to my fulfillment in being part of the band.  

O: Is it a pretty organic process in setting up shows? 
D: We like to perform as tightly as we can. That’s why we don’t like using monitors. We like to hear ourselves naturally, so all we need to do is turn up our vocals a notch. 

O: Are your parents supportive of your music? 
C: All of our parents are, pretty much. I can say that for a fact—all of our parents are very supportive. We probably wouldn’t have ended up in music school if they hadn’t been supportive.
D: I’d like to think that even if I were eating human feces and ripping heads off chickens on stage that my parents would be supportive, but honestly it’s a little easier to get support from your parents if your band is called Cuddle Magic and it’s listenable music. 

O: Are there plans for another album in the works? 
C: We almost have all the songs for a third album ready to go. If you want to know my hope of hopes, dream of dreams, we can push this record enough to be able to record the third album in 2010 and start it in 2010 with some producer of note. As much as I love recording, it would be great to not have to worry about that, to just be more a part of the music more. I’m really interested in this guy Valgeir Sigurðsson. He lives in Regnivik. He started the Bedroom Community label with Nico Muhly and Ben Cross. He recently released the Sam Amidon album. I really want to go up to him and record with him. It’s ambitious. 

O: Does the band consciously focus on creating innovative music? 
C: I think it’s just writing songs and wanting to play the songs. We’re into music so much that we want to make sure that we are into the sounds ourselves. We’re not really doing something new. We definitely like pretty sounds, even though we like really abstract things—especially singing-wise, and vocal-wise. We like something that is just really nice. I guess that’s the closest connection to the meaning of “cuddle magic.” 

O: What are your thoughts on 2012? 
C: If the world’s going to end, the world’s going to end. It’s not like we’re going to be around to worry about there not being a world. So why are we sitting around worrying about it right now?
D: We have mutual acquaintances that are unhealthily obsessed with the 2012 phenomenon. It can do things to you. It’s dangerous. 

O: Do you have any sexy anecdotes regarding the band and the band’s history? 
B: It might be fun to share some of the conditions of the recording of the album.  Like booking 24 hours sessions at Wellspring because they were cheaper and having all folks sleeping upstairs in the attic while others were overdubbing percussion tracks.  Maybe a colorful description of the Gartland and Philly basements?  Maybe an animated account of van packing, unpacking, packing and unpacking?  A list of the casualties of tours?  The fact that all 9 of us sleep topsy tails in one giant 10 person sleeping bag while on the road?
M: I haven't been in the band long enough to know all the kinky stuff that has gone down with each member, but I will tell you this:  the average cuddle magician appears to be a pilgrim before he/she takes the stage.  Once onstage, he/she lets loose a violent torrent of funk and inimitability that would arouse even the shyest of marmots. That is all I can say.
-Greg Bem

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X-Ray Spex - Live @ The Roundhouse London 2008

Tuesday, December 1, 2009


X-Ray Spex
Live @ The Roundhouse London 2008
Year Zero

In the middle of their comeback gig X-Ray Spex frontwoman Poly Styrene curiously proclaims “I’m losing my voice,” as if she ever had one to begin with. Although this performance had the now-middle-aged punks in front of 3,000 people at London’s glorious Roundhouse, the band sounded just as raw and unrehearsed as in recordings of their infamous ’77 gigs at The Roxy and Styrene’s vocals remain just as delightfully indecipherable – fortunately, the hardback packaging of the CD/DVD package includes the lyrics to her brilliantly crass, abstract social commentary that would be lost in the anarchy of her vocal performance.

Chills run down the leather-clad spines of ‘77’s biggest fans as Ms. Styrene proclaims “Some people think little girls should be seen and not heard! But I think…” kicking off “Oh Bondage Up Yours!” a punk-spun Sadian commentary of neocapitalism that would come to be the group’s battlecry. The setlist includes the better part of the band’s 1978 debut, Germ Free Adolescents, along with early singles (learn the cultural theory of fairytalism 101 in “Highly Inflammable”) and B-Sides (most notably the beautifully simplistic “I Am A Cliché”).

The DVD portion of the release makes it apparent that fans of the band have thankfully not outgrown pogoing, slamdancing, and crowdsurfing and that the band has far from lost its riotous youthfulness. The voluptuous Styrene, now brace-free, playfully bounces across the stage shrieking anthemic attacks on pop stardom (“Obsessed With You”), the commodification of humanity (“Melancholy”), and the globalization diet (“Junk Food Junkie”) catchy enough to make Mussolini shake his fascist groove-thang. – Izzy Cihak

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